![]() Knock on all the doors until you find the one that opens. Sometimes certain things work, and sometimes they don’t.” The distributor may write you an advance check that you can put towards production, or you may be able to take the distribution agreement to other investors to sell them on the project.Īs film producer James Cullen Bressak says, “There’s no clean-cut way to do either of those things. If you can go to festivals, make lots of phone calls, or rub shoulders with the right people, you may be able to sign a distribution deal to get funding for your film. Pre-Sales From a Distribution Companyįunding a film is all about relationships. They can also publicize your effort to their mailing list or membership, which can be a huge boost, especially if you’re crowdfunding. It’s possible that they can take donations on your behalf, which would give you an advantage at tax time. ![]() But if your film directly supports the nonprofit’s mission, they may be able to help you in many ways. Nonprofit Partnershipsīy definition, a nonprofit organization can’t be a traditional investor in a film. Giving credit to sponsors in your end credits is a must. Or, a car dealership might provide a vehicle for you to use in your film, free of charge. Rather than getting funds, many indie filmmakers can leverage their project against film equipment and props.įor example, a videography equipment supplier may sponsor lights or lenses for your film. NEIL’S TAKE: With indie films, product placement is on a smaller scale, but it is still possible. These companies are only going to be interested in your project if you can give them reasonable assurance that they’ll see a financial return on their investment. These companies may offer capital on terms such as “gap financing” or “negative pickup funding,” as we discussed above. If you are prepared to treat your production company like a business, it’s worth approaching film financing companies or other venture capital firms. ![]() Venture Capital – Film Financing Companies We didn’t overpromise anything, and were forthright about the potential for both risk and reward. What helped furthermore, was that they were impressed by our complete honesty when discussing return-on-investment, and the fact that there are no guarantees when it comes to independent film. Through personal connections, we found private investors who were interested in the unique story we wanted to tell. Neil’s Take: When my production company was looking for funding for our movie, Spin The Wheel, we were able to leverage this source of funding. In this article, we’ll look at the ways film finance is rapidly shifting and look at how you can get the funds you need to become a filmmaker. I’ll also add my experiences as a true independent filmmaker, and tell you all about how I found funding for my latest feature film, Spin The Wheel! So, to keep up with the competition, you may need quite a lot of money. The gates of Hollywood are crumbling, but you still need to climb over the rubble. The average quality of indie films is skyrocketing – especially as actors’ and writers’ strikes turn seasoned industry pros toward indie projects. Independent filmmaking is possible in ways it never was before. When Everything Everywhere All at Once – made by independent filmmakers who trained at “YouTube University” – swept seven major 2023 Academy Awards, it proved that the industry is settling into a new era.
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